"Agnus Dei" in French Cinemas
Agnus Dei (Niewinne, Les innocentes), a film directed by Anne Fontaine and co-financed by the Polish Film Institute was released theatrically in France on February 10.
Agnus Dei (Polish title: Niewinne, French title: Les innocentes), directed by Anne Fontaine and co-financed by the Polish Film Institute was released theatrically in France on Februrary 10. Distribution in France is handled by Mars Films.
The film will be released theatrically in Poland on March 11. Distribution in Poland is handled by Kino Świat.
Agnus Dei has sold to Canada (Mongrel), Japan (Longride), Spain (Caramel), Brazil (Mares), Mexique (Alebrije), Italy (Goodfilms), Denmark (FilmBazar), Sweden/Finland (Edge), Norway (Tour de Force), Portugal (Films for You), Greece (Feel Good), Switzerland (Agora), Belgium (Imagine), Colombia (Cinecolombia), USA, and UK.
Agnus Dei is set in Poland in the winter of 1945. Mathilde Beaulieu (Lou de Lâage) is a young intern working for the local branch of the French Red Cross; their goal is to find, treat and repatriate French survivors of the Nazi concentration camps. One day, a Polish nun arrives at the hospital. In poor French, she begs Mathilde to come to her convent.
Agnus Dei, (Les innocentes, Niewinne), photo by Anna Włoch, Aeroplan Film
The film stars Lou de Lâage (Respire, Jappeloup, nominated for the César award for most promising actress) and Vincent Macaigne (Eden), as well as Polish actresses Agata Kulesza (Ida), Agata Buzek [Rewers (The Reverse)] and Joanna Kulig [Sponsoring (Elles),Ida].
International Co-Production Co-Financed by the Polish Film Institute
The film was produced by Eric Altmayer and Nicolas Altmayer of Mandarin Cinema (Bertrand Bonello’s Saint Laurent) and by Philippe Carcassonne, and co-produced by Eliza Oczkowska and Klaudia Śmieja of Aeroplan Film (Poland), Mars Films, Canal+France, nc+Polska, France 2 Cinema and Scope Picture (Belgium), with support from the Film Commission Poland. The film was lensed by Caroline Champetier and filmed entirely in Poland. The film’s visual side was handled by Polish talent: production designer Joanna Macha and costume designer Katarzyna Lewińska. The film was co-financed by the Polish Film Institute.