Mundial. The Highest Stakes

Release date: 23-05-2014
Director: Michał Bielawski

written & directed by Michał Bielawski director of photography Petro Aleksowski, Tomasz Suski make-up by Justyna Steszuk, Weronika Fedorek sound by Przemysław Książek, Damian Kostrzewa, Paweł Nabiałek music by Antoni Komasa-Łazarkiewicz editing and 3D animation by Grzegorz Mazur artistic supervision by Krzysztof Talczewski production manager Łukasz Borzęcki producers Łukasz Borzęcki, Michał Bielawski, Michał Chaciński, Witold Będkowski (TVP) produced by Unlimited Film Operations co-produced by Canal+ Polska, Telewizja Polska, European Solidarity Center, Adam Mickiewicz Institute, WFDiF co-financed by The Polish Film Institute distributed by Against Gravity
colour, 96′
Poland 2012

 

The “España ’82” World Cup was the last big success of the Polish national football team. Viewers all over the country, glued to their TV sets, marvelled at the goals scored by Boniek and Smolarek, the extraordinary agility of Lato, Kupcewicz and Buncol, the spectacular goalkeeper parades of Młynarczyk. For a brief moment, Poland forgot the bleak reality of Martial Law: censorship, troops on the streets, prisons overflowing with members of the political opposition. The national team’s performance was so successful that it was nicknamed “the best TV series of Martial Law Poland”. “Mundial. The highest stakes.” tells the fascinating, untold story of sport and politics in the aberrant period of Martial Law. The World Cup was watched with equal devotion by interned activists of the delegalised “Solidarity” and censors, who’s job was to diligently cut any signs of Polish political opposition from the live TV broadcast (mostly banners with the word “Solidarity” displayed in the bleachers of the stadium). The film shows us also the perspective of the football players, who, apart from having to deal with the pressure of playing in the World Cup, had to live up to the expectations of their fans and skilfully manage the political regime themselves. The documentary is a combination of unique archive materials from Polish Television, Polish Film Chronicles, materials from FIFA, 3D-animated photos from the Białołęka internment camp, drawings and interviews with the football players sports commentators and the interned members of political opposition.